Showing posts with label soviet film. Show all posts
Showing posts with label soviet film. Show all posts

Sunday, 20 February 2011

Человек с киноаппаратом

Man with a Movie Camera
That's the original film poster of this great avant-garde Soviet film from 1929. Last year, I watched another experimental timelapse film, Koyaanisqatsi, which I definitely drew comparisons to.

I think the difficult thing about watching this film is the lack of sound. And that's why there are lots of music scores to accompany it. I was lucky, the version I picked up contains The Cinematic Orchestra playing, which is a limited print.

I think the music plays a vital component in this film. The first 5 minutes or so were total silence, a guy setting up his camera, people entering a theatre... I actually struggled to respond to it. Then, as soon as the orchestra kicks in, the film comes to life. Not only is it a fantastic soundtrack, but it synchronises beautifully with the film. Like the film was released originally, there was usually live music in theatres, and the musicians that have supplied music for this film have been known to play live at showings around the globe.

This - I think - is what I would call 'pure cinema'. There are no actors, there is no plot. It depicts the life in the city, and the people living in it. The camera and the shots here speak in their own artistic language. Most of the cinematic techniques were invented and developed in this film, so for anyone with an appreciation of film and cinematography this should be on the list.

However, it's not just a historical, academic film. Nor is it totally off-the-wall experimentation. It's an extremely engaging look into Soviet life. Film as an art form is completely spontaneous. You'll watch cameramen setting up in exciting, dangerous places.. and in beer glasses; women getting out of bed, giving birth, miners, tram drivers, horse and carts, married and divorced couples, men and women working with industrial machinery... all at a pace which leaves you regretting every time you blink.

Isn't it ironic that a film without a script, no plot, and no characters managers to have more depth and artistic merit than films 80+ years later? Enthralling, surreal, and the genuine language behind the art form.

Clocking in at 1 hour long, this film is bound to be the best lunch break ever.  Of course, 1929 is a long time ago, where copyright is left to expire. So that makes it a free lunch. Download it here. I have no idea what soundtrack that version is though. Of course, you could also watch the whole film, with soundtrack of your choice, on YouTube.

Sunday, 8 August 2010

Письма мёртвого человека

Dead Man's Letters (AKA Letters From a Dead Man) is a post-apocalyptic Soviet/Russian film made in 1986. It's directed by the guy that assisted Tarkovsky's Stalker. It was also co-written by Boris Strugatsky, one of the brothers who wrote Roadside Picnic.

This is set in a town after an accidental nuclear war due to the operator of the missile choking of coffee (it's not meant to be funny or anything, maybe black humour) and being 7 seconds late in trying to cancel it. This isn't a junk or comical sf film that you'd come across. It's extremely atmospheric, and very depressing: smoggy looking landscapes, lights burning through radiation, muggy swamps, gas masks, survivors in bunkers, canned food. There aren't any heavy philosophical elements in this film, but it covers a lot of ethics, humanism, faith, and insanity.

The world that is shown here is convincingly horrifying. Anybody that writes this off as 'fiction' should watch this film to understand what constitutes humanity, and how that very same thing can destroy us. The sound in this film sounds like there is a world that is trying struggling to breathe: a constant humming, clanging, ambient drones. A world that man created and then destroyed. Even if you heard someone watching this film you would find it haunting.

This film is very dark, very eerie, and successfully portrays what a world could be like if nuclear disaster did happen. In a way this is like the other side of the coin that Stalker didn't concentrate on. It looks directly at a vision of the future that could of happened. Could this film have been created from the midsts of the Cuban missile crises and the Cold War from a USSR/Russian perspective? No. It's not political at all. There is a common perspective between all man when it comes to nuclear war, and this film unlike its American Hollywood counterparts could actually be used as a powerful anti-war film.

Science is a threat; the main character is a prize-winning physicist. A lot of the film centres around the innocence of children, and the nature and history of man's survival. What keeps us living when everyone is as good as dead?

Here is a list of fiction (novels, films) containing nuclear holocaust.

This film is extremely difficult to get hold of. People online have said you can get the DVD from Russia without subtitles. I can't recommend this film strongly enough, that's why I'm providing a torrent: http://www.zshare.net/download/791418697de91516/